Like
other works by Louise Erdrich, the story of The Round House is rooted
in the lives of Native Americans. These are not people living in
conical tents and wielding battle axes.
They are a ‘regular’
community in which teenagers talk about Star Trek and people drive to
work. The story begins with a drive that a thirteen-year-old named
Joe takes with his father, as they go looking for his mother, who’s
taking longer than usual to get back home.
This
is, perhaps, the most fateful drive of their lives. As they head for
a grocery store, where they think the boy’s mother might be, they
see her driving past – in the opposite direction, meaning homewards
– at a furious speed.
Following her home, they discover a terrible
event, one that’ll change their lives forever. The mother,
Geraldine, has been brutally raped, with a degree of violence that
has left her utterly traumatised.
From
here on, Joe’s world becomes a pre-occupation with getting justice,
trying to understand what happened to his mother, and coming to terms
with his own adolescent desire for an attractive older woman.
This
is also where the illusion of Native Americans being absorbed into
mainstream modern American society develops many cracks.
Getting
justice for Geraldine is that much more complicated because she is
Native American and the perpetrator may be non-Native; and the place
of crime may be outside tribal jurisdiction.
The story also places
practical tribal wisdom against the lenient attitude of urban law
towards a certain class of crimes. Among Geraldine’s own people,
what her rapist would get is death, for such a crime can only have
such a punishment. But the courts of American law might see things
differently.
The
crime at the core of the story leaves Joe and his parents lacerated.
Connecting with them means feeling some of their pain. That’s why
this book can’t be called a mere page-turner – it’s not casual
reading; it leaves a deep impression.
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Original review on: http://www.hindustantimes.com
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