This massive, mammoth, mesmerizing
mystery takes place in Chicago in 1928 with its plethora of mobsters,
murderers, millionaires, musicians and marginalized minorities.
Race
permeates everything, particularly with Chicago’s recent
intoxication with jazz — and every alcoholic beverage during
Prohibition. Al Capone runs a tight ship, and Louis Armstrong’s
arrival from New Orleans in 1922 starts the town dancing.
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Celestin magnificently anatomizes
Chicago from the Gold Coast to Bronzeville, complete with beer and
brothels, corruption and the stink of the stockyards, steel mills and
speakeasys.
Race, regions and riches clash, collide and confront one
another. Sex runs rampant. Jazz juices up the blood. Poisoned alcohol
kills. Everything can be bought from the governor on down.
Three mysteries immediately surface.
Why has Capone summoned Dante Sanfelippo, a bootlegger from New York,
to Chicago? Can Pinkerton detectives Ida Davis and Michael Talbot
help old-moneyed Mrs. Van Haren find her daughter Gwendolyn, who’s
vanished along with her beau, Charles Coulton?
And who’s the dead
man in the alley that crime photographer Jason Russo, discovers? How
will this triad merge? Who’s addicted to what? And why do more
bodies end up in the sewer canal and by the old Pullman Ice Works?
Is there a traitor in Capone’s
outfit? Who’s been sabotaging his liquor runs? Who’s been gouging
corpses’ eyes? How is Randall Taylor involved, the black guy who
treats rich whites to “slumming” in Bronzeville?
The novel’s divided into sections —
cadenza, duet, solo, improvisation — that mimics Armstrong’s hit
recording “West End Blues.”
Celestin’s prose often waxes
lyrical and poetic and makes this a terrific book to immerse yourself
in. Chicago plays a major role, engulfing, killing, and entangling
all comers. Social Darwinism rules with a bloody vengeance, and the
stakes are literally available to the highest bidder.
This city of “chrome and speed”
delights, appalls, terrifies and seduces. And so does Celestin’s
ultimately majestic novel.
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Original review on: http://www.providencejournal.com
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